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SHANIA TWAIN NEWS PAGE 3

LEGEND IN LEOPARD PRINT

Melanie Henderson, Press Association, March 2000

She might have sold country down the road but Shania Twain is a sell-out phenomenon who has just set a musical record. Melanie Henderson is impressed by a woman who can still get away with THOSE clothes.

Let’s hear it, then, for Shania Twain – for Shania (whom it is tempting to think might have been named Sharon had she not so obviously been born for those hot stage lights) has made history.

It is some feat to prove that you really can wear leopard print head to toe and get away with it if you are well past 17. It is quite another to wear the highest-selling CD by a woman solo artist on your lycra-synched waist.

Yes, Shania is officially the tops, having sold 17 million copies of her hip-shakin’ album Come On Over in the US and 26 million worldwide.

The album - which appeals equally to reformed headbangers who still like a stomp round their living room and lapsed country fans who have not yet managed to give up the weekend line-dancing – is also the fifth best-selling album of all time. Now Shania, who famously sang that Brad Pitt didn’t do much for her at all, can’t fail to be impressed by that one.

Add to that the rather more dubious honour of beating Garth Brooks for best-selling country CD and Shania can well afford to retire - although the chances of she and husband/producer/musical re-inventor Robert John “Mutt” Lange retiring to the trailer park to work on duets about growing old together are negligible.

There are a lot of reasons for the Shania phenomenon, of which the body is only one. Of course, it helps. While Leanne Rhimes is undoubtedly the Britney Spears of country, Shania is another proposition entirely. Shania is older, wiser, drop-dead gorgeous and, more than that, she is not quite the "wholesome," God-fearing, peaches and cream girl that Leanne appears to be.

Leanne Rhimes could probably sing the diaphragm out of Shania, but Shania is a sex goddess who sings about being too good for her drooling admirers. The Shania Twain package is safe-as-houses MOR mapped onto a slightly risque – but hardly Courtney Love – persona, wrapped up in a very tentative country theme and dressed as an out-an-out rock chick. But a grown-up rock chick that knows better than to wear too much kohl pencil.

It is a combination of animal instinct and marketing excellence that cannot fail to strike a twanging chord above the frothing noises of cappuccino machines in posh bar-restaurants. But it is also a massively appealing pop sound you could just yell from the Top Shop changing rooms on a Saturday.

(Indeed, Shania undoubtedly causes grown-up women to abandon Wallis and Next for the stores of their mis-spent youths. All right, Shania might not be seen dead in Top Shop, but it is at least a place where you could contemplate dressing up as her).

The musical platter is to the image what silk-smooth hollandaise sauce is to succulent salmon. It is all very adult and it comes on a carefully arranged plate.

You do not get the deep-fried chicken wings of a real country weepie and, if you get the homey apple-pie feel you sometimes do from a country gal with her heart in the right place, it is decidedly low fat apple pie. There is no excess anything on either Shania or her records, because you cannot sell squillions if you are at all weighed down – whether that’s by your tortured artistic soul or your 38DD chest.

Shania is living proof that you don’t have to be top-heavy to claim country roots. Nor do you have to sing about that darn man who left you barren when he drove off in his supertruck.

Of course, a fair share of the Shania magic must be attributed to her other half, whose credentials might these days be consigned to the heady hey-day of Eighties stadium rawk n’ roll, but whose fingers still turn pretty average songs to platinum before you can say "That needs a rocking chorus and a multi-layered harmony."

You may remember the work of Mutt Lange if you used to shake your hair about a bit. Those choruses and those harmonies are forever written on old video footage in which people are punching the air while howling the silliest lyrics ever as if it was their last night on earth.

Def Leppard? Remember them? Well, Mutt brought those Sheffield lads back from the brink of impending obscurity by giving their Hysteria album his trademark licks.

Frontman Joe Elliot could go out there and sing the likes of "Pour Some Sugar on Me" in his leopard trews like a man possessed due to Mutt’s magical, if supposedly fraught, production process. Then he went on to make Bryan Adams sound exactly like Def Leppard, giving him a newer, softer edge which went better with the floppy hair.

And now his wife is doing it all over again. Listen to Come on Over and you will hear Mutt Lange as much as Shania Twain. It’s a partnership even more perfect than that of Celine Dion and her hubby-cum-manager or even Mr and Mrs Estefan. All right, it ain’t The Chemical Brothers. But, if it’s cheesy and naff at the best of times, it is also incredibly, wonderfully irresistible.

There is the sheer cheek of "That Don’t Impress Me Much." There is the tongue-in-cheek rock-glam of "Man! I Feel Like A Woman" (with that equally cheeky video). There is the line-dance-tastic "Don’t Be Stupid (You Know I Love You)" which even comes with a special cowboy-boot wrecking party mix.

You can laugh, but you can’t really knock it. Shania is indeed a legend in her own leopard skin. She is the original, authentic Spice Girl. Except she is a Spice Woman.

Yes, Shania deserves her bit of history. And man, she must feel like a very rich and powerful woman now.



  Total Style interviewTotal Style Magazine, March 2000

Total Style: Your recent tour was also your live debut in Europe and you performed to loads of people. For instance 12,000 in London alone. Were you apprehensive about it?

Shania Twain: No, not really. I didn't find it difficult, it was more of a challenge. It is so nice to go to these places where I'm still a new name and perform for fans. It was a really incredible tour and I loved every moment of it - everybody responded so well and with such enthusiasm. I was really taken aback. I honestly didn't expect such a great response. I admit that I felt a bit of stage fright, but that is normal. It gets my adrenaline flowing which adds to the performance from the moment I step on stage. Now that I've experienced such an incredible reception I'll be coming back to Europe more often. Obviously as long as there is a demand, that is.

TS: In America you donated part of the show's earnings to charity. In London you donated to the War Child fund for Kosovan children. Why do you feel the need to do it so publicly while a lot of other stars prefer to do their charity work in secret?

ST: I started donating to charity way back in America and Canada - I usually donate to a local charity of the city I'm performing in. In Europe it had to be Kosovo because this was a huge disaster. I've been so touched by the plight of the Kosovans, their poverty and the lack of basic things. A lot of stars support different charities, but only a few deal with poorer families and underprivileged people. One reason that I contribute so publicly is to raise awareness. Only a relatively small part of society can really understand what it means to be truely poor, when you can't afford the most basic things...Other charities are fine, but they often don't deal with people who are in a really needy situation. And I know from personal experience what it means to be poor. I was one of those people who couldn't afford basic essentials. People who are well off don't know what it's like. They can be ignorant of the fact that there are people out there who are really hungry. Food is one thing you can't get by without and there are a lot of people, including orphans in Kosovo, who can't afford it.

TS: In all your interviews you mention your past and how poor you were. Do you do it to give less fortunate people hope, to show them theres a possibility of getting out?

ST: I suppose in a way I do. I hope that it allows people to see that it is possible to achieve things if you want them and work hard for them. If it is show business your after, it takes a bit of luck to break through as there are many great performers out there. I talk about it also to be able to express my gratitude to have succeeded in the way I have. Mine has been such a widespread success which I'd never imagined. All I ever wanted was to make a living by singing.

TS: You lost both your parents in an automobile accident when you were 21 years old. What effect has this had on you?

ST: I'll tell you what this has done and I understand why it has given me extra drive, a drive that no one else has. As you know, when I grew up my family was very poor. My parents often sacrificed grocery money to get me to lessons, to get me to gigs, things like that. I'm telling you, when your parents do things like that because they want you to be something and they have such faith in the fact that you've got talent, it means alot. That they would sacrifice the grocery money for me! Later on when I realised what they had done I vowed not to let it have been done in vain. Not for anything in this world.

It gives me the drive to make sure I follow everything through. Especially everything that they would have wanted me to do. They're gone, and they sacrificed lots of things for me, and they're not even here to enjoy it and to see it come to fruition. After all the efforts that they made while I was growing up over the years, I'll be damned if I'm going to let it all be in vain.

I'm not in this for the competition. I'm not in this to beat the next guy. I think theres so much room in country music right now. Theres room for all of us. I don't care who I beat. I'm not competitive that way - I don't find music competitive. To me it's like a golf game - I set my own personal goals. I don't sit down and think my personal goal this year is to beat someone in particular. To me, succeeding is fulfilling my own personal dreams, and one of these is to make my parents dreams come true. We all shared the same dream. My whole family has this dream. Now I am fulfilling many people's dreams and it's very gratifying - much more so than just satisfying my own dreams.

TS: Success has certainly knocked on your door big time and you've achieved something to become one of only four women who've sold more than a dozen million albums apiece. What has that done to your ego?

ST: Nothing really, it is a fact which hasn't sunk in yet. I've been so busy I haven't had time to enjoy it and my ego remains in check because of it. I guess all that it means to me is figures on a paper - statistics. I live in a bubble with a very small group of people who don't go around praising me all the time. Because of them I really feel just like a member of the band, so I don't feel any different. The environment I've been in over the past few years hasn't really encouraged egomania but there is still time! Perhaps when I take time to sit back, or in a few years from now, I'll realise how big a deal it all really is. At the moment I've no time for it. Right now I'm busy doing things and am very pleased with the reaction of people who come to my concerts, and happy that they like the music I've been putting out.

TS: Why do you think you are so incredibly popular, and evidently with people of all ages?

ST: I think my music is easy to relate to. It appeals to all ages, from children to grandparents. This is what I find the most amazing, that it bridges the generation gap - whole families come to my shows! I think that it is great that I am able to write, record and perform songs that are appealing to all ages. This means that each household must have bought two or three copies and very soon the quantites mount up.

I think a reason my music crosses over generations is because I have been influenced by so many genres. I've always listened to a lot of different styles of music. And I didn't know what type of music I wanted to pursue when I first started out. I think it was by chance that the country fans in the states embraced me and I'm thankful for it. But my music has never been just country. I don't think I represent country music very well. There is too much of a pop element in my sound, but it is country based so the fans must have their say. I'm very pleased with the way my music is diverse enough to appeal on many different levels. I have no secret to pass on and don't know why or how it happened. I'm just thankful for my popularity.

TS: Success and fame usually mean giving up something. What has been the greatest sacrifice in your case?

ST: I'd have to say life itself! Working to get where I am now I had to sacrifice everything. All the things most people take for granted are not available to me and I haven't experienced the most basic things in a long while. The first step in regaining my life is cutting back on promotion and time spent posing for the cameras. The little bit of life I've experienced has made me feel great, I really enjoyed it. What taking a back seat will do for my career I don't really know. But I guess I'll find out soon enough. So, less work and more play is what I intend to aim for right now.

At the same time I will continue to write new songs, song-writing is an ongoing process and I don't need to make time to do it. Writing songs come very naturally, it is easy for me...it might not be easy to write great things but I write all the time and it's only when it's time to record that I make a selection. Writing songs is like keeping a diary for me. Not exciting every day - but that's how life is and my songs reflect that.

TS: The way you presented your music and yourself was to 'sex-up' the country scene. What would you say in your defence?

ST: I don't see anything wrong with it, it's just the way I am..when I first started out, my image horrified my record company. They kept telling me that I was intimidating to women but I couldn't see how. I was young and just felt like looking that way. There was no ulterior motive...I hope I've liberated other female stars to express themselves in whatever way they feel like it.

TS: Your songs are a bit risque with their sexy content and 'knowing' attitude. What's behind this?

ST: Well, that's what life is all about... For example a song like That Don't Impress Me Much is about guys going over the top to impress girls. And that happens so much and has never really impressed me. I'm sure many other women agree. While you might have an ideal man in mind it is not beauty that keeps you by your man but attention being paid to you, being made to feel wanted and being made to laugh. That's what counts, not only external beauty. It is the inner self, the strength of character...

TS: Keeping to your hit That Don't Impress Me Much, the song mentions Brad Pitt; how did your husband react to this?

ST: I don't really know, to be honest he's never commented on it... I don't think it bothers him because it is just a song. I think Brad is a very handsome man, very attractive, but unfortunately I've never met him and so have no idea what he is really like - but I do wish to find out one day.

TS: There is another thing that is unusual about your music: having dance remixes of your songs, which is almost unheard of in the world of country music.

ST: Well, it's my husband who does this, it's a bit of fun. I don't think it is that strange, although I suppose it is a bit unusual. We've been doing it for a while and it really works for my music. There are several remixes and dance mixes of the songs from my album, (Come On Over) and I really don't see it as a big issue.

TS: How about the fans who come to see you, who are perhaps locked into country but turn away from rock, jazz and blues. How do you think they can develop their musical range?

ST: With country music today, there are people who just listen to country. There are radio stations out there that have a mix, and I think there are a lot of people who listen to a mix of music. I grew up listening to a multi-format station. A lot of small towns only had one station so they played multi-format. They had to please everybody. You shouldn't underestimate the audience and I think there was a bit of something for everyone.

The reaction to me depends on where I play and however they've been influenced by the music that's played on their local radio station. Radio plays a very important rold in influencing people and the kind of music they like. I've always listened to different kinds of music. But it's been more of a training thing for me. I would sit there and listen to a lot of male singers, even in country. A lot of the artists I listened to were male. I work with my voice. I practise using it, get to know it. Push it to the limit. This is kind of an exploring thing that I do. Music is such a fun thing. I like the best of all kinds of music really but I've always been country based. I grew up listening to eight-track tapes of Waylon Jennings, Charley Pride, Dolly Parton, Tanya Tucker, just everyone.

TS: In a recent interview you were quoted as saying that married bliss has made you softer and with less drive to press on. Also, it was reported that your husband would like to see youmore at home, perhaps bringing up children. Is Eilleen going to resurface instead of the sex symbol, Shania?

ST: I have to admit I would like to play a housewife for a while, I Like cooking and doing other domestic chores...And it's been a long time since I've done that, about five years I'd say. I've been touring and now it's time to ease off. My husband has been encouraging me to do my own thing and it is time to slow down and dedicate a bit of my time to home life. As far as going softer is concerned, it is true... I think marriage does make you lose a bit of aggression and become more emotional, which is something I've noticed and don't like really. It's not that I've lost drive but I've become gentler and less angry.. I can't say I like the person who is emerging..it is neither Eilleen nor Shania and I have to learn about this new person I'm becoming.




Article provided by Jayne Spears




ANGEL OF MERCY
Country Weekly, January 2000

The big heart of Shania Twain – who's never forgotten her humble roots – feeds thousands of hungry kids.

For too many years, young Shania Twain experienced the pangs of hunger. Now she's waging a war against it.

"My whole childhood, my whole school life, I basically went to school without a lunch every day. I often went to bed hungry," says Shania. "Food, for me, is a luxury."

"I definitely hid it at school," recalls the woman who became country's biggest crossover superstar of the '90s.

"Sometimes my Dad would make me a lunch of mustard sandwiches that I could take to school and that was enough. Sometimes I'd just tell people 'I'm not hungry,' or 'I forgot my lunch.' I was embarrassed."

Her hardships left a lasting impression. To ensure that children don't suffer the same fate, she's made feeding the hungry a personal crusade.

"I always had a mission to feed the hungry," she says. "My goal, even when I was a kid, was to find out who the hungry families were and to show up at their door with a freezer full of food. That's what I wanted to do."

Now that she's country's hottest star, she's finally able to fulfill that ambition. But this is no fleeting urge to do a good deed. Shania has mounted an organized campaign to battle hunger that an army general would envy. The game plan includes:


Royalties of her recording "God Bless The Child," are split between two organizations –
Second Harvest Kids Cafe in the U.S. and the Canadian Living Foundation.
Presenting each organization with a check for ,000.
Donating a portion of all proceeds from T-shirt, calendar and poster sales.
Raising awareness by performing "God Bless The Child" nightly on her recent 166-date world tour.
Donating tickets to every concert for local food bank raffles.
Quietly contributing tens of thousands of dollars in private donations.
"Now, I'm in a position where I can help many families," she explains. "I want to be sure kids get this money, so I donate it specifically through Second Harvest Food Bank for Kids Cafes in America."

Shania's generosity is paying off. The money she's raised has helped launch 22 separate Kids Cafes programs across the nation.

"Shania's been one of our biggest supporters," says Carol Gifford, communications director for Second Harvest. "Throughout 1998 and 1999, Shania was able to raise an additional ,000 for our food banks through the donation of tickets to her concerts. She's certainly been the most vocal celebrity participating in our cause in the past two or three years."

"Shania has played a pivotal role in helping us raise awareness about the issue," adds Martha O'Connor, executive director of the Canadian Living Foundation.

Even Shania's fans are getting into the act by taking the high-tech route through the Internet.

"We got 80,000 visitors to our website within the last month directly from Shania's websites," says Gifford. "She certainly drives a lot of interest."

"She's had a tremendous impact," agrees O'Connor. "The awareness that she's raised through her concert tour has resulted in others coming forward and making contributions, too.

"In Ottawa, one employee of a large computer company who went to a show, heard about our program, told her company and they donated ,000."

Even Shania's crew is giving of themselves – literally. During recent concerts in Tampa and West Palm Beach, Fla., Shania dragged out a long-haired crew member and promised a donation for every inch of hair she cut off his head. By the end of the shows, the Second Harvest Food Bank was ,000 richer.

"That's Shania," says Gifford. "She typically goes above and beyond. She's really helped us communicate the message that hunger exists in our country. She's the face of hunger that's been able to get past her youth during the times when her family was needy."

"Shania lends credibility," adds O'Connor. "She's such an eloquent spokesperson for the cause because it really comes from the heart."

Shania's mission is a deeply personal one that stems from an impoverished childhood. She hasn't forgotten the hunger pains that haunted her.

"We were poor when I was a child," Shania wrote in an open letter to her fans in a Canadian magazine a few years ago. "We didn't always know what, when, or where our next meal was going to come from. Or when the heat was going to get turned back on in the middle of a Northern winter.

"I have had some harsh lessons on the frailty of human life. But through it all, I still believe that love and happiness are the most important things and to never lose sight of them. Life passes us by very quickly whether we are happy or unhappy."

Music was one of her few pleasures. "We were extremely poor when I was a kid and I used to just sing and play guitar in my bedroom as an escape," Shania notes. "My parents got me out of the house, and I performed everywhere they could get me booked – every TV station, every radio station, every community center, every old-age home."

When Shania's parents were tragically killed in a car accident, life became even tougher. Only 21, she took on the responsibility of raising her two younger brothers and sister. She landed a job as a singer at the Deerhurst Resort in Muskoka, a six-hour drive from her hometown in Timmins, Ontario.

"The first house we moved into had no water," she notes. "I couldn't afford a place in town so I found this place in the country. There were no locks on the doors. I couldn't afford curtains. I bought all my furniture from Deerhurst at an auction.

"We had to take big coolers down to the river in our truck to get our water. I even used to do laundry there. It was terrible. But we stayed six months."

It was only after her siblings moved out of the nest that Shania turned her attention to Nashville. And the rest, as they say, is history.

Now Shania lives in a Swiss castle with her husband – and songwriting producer – "Mutt" Lange, and the world is at her feet. Over the past year, her star has enjoyed a spectacular rise. She's won countless awards – including the CMA's prestigious Entertainer of the Year and two Grammys – and graced dozens of entertainment, fashion and lifestyle magazine covers. Her album Come On Over has sold an astonishing 16 million copies. Her two top-rated TV specials captured record numbers of viewers.

And Madison Avenue has come calling. Cosmetic giant Revlon signed Shania to an exclusive contract and built a million campaign around her glamorous look and her hit song "Man! I Feel Like A Woman."

But her lofty status as country music's reigning, radiant sex symbol – and all the royal treatment that goes with it – has not stopped her from remembering her humble roots.

Shania's heart was never bigger than at her hometown concert last summer. All the proceeds for the show were split between four charities, including the local hospital and the South Porcupine Food Bank.

"Shania's a godsend," says Mike Cootts, the food bank's president, who estimates that Shania's donations total more than ,000. "She's certainly one who hasn't forgotten the people or the area that she came from. Her donations help us feed up to 600 families a month for a population of 45,000."

And Shania's generosity doesn't stop with the hungry. She regularly visits hospitals and meets children from the Make-A-Wish Foundation. After last April's Columbine High School massacre, Shania quietly visited injured teens in Denver.

"We do what we can," she said modestly, "to visit and help out."

Shania also performed at the Amnesty International Concert for Human Rights Defenders, as well as the Noble Peace Prize Ceremony last year.

But hunger remains her top concern.

"It's something that's personal to me," Shania said. "And it's an obvious choice. I support hungry children locally through the concerts. It's something I do everywhere I go in the world. There are too many out there who need money and need help.

"I'm now actually able to give back some of the things," says the superstar millionairess, "I've always dreamed of giving."

Shania isn't the only star lending a helping hand to charitable causes. Here's a sampling of the others who give of themselves offstage:

Vince Gill's annual celebrity basketball game helps Nashville's Belmont University, and his golf tournament, The Vinny, benefits Junior Golf.
Neal McCoy's East Texas Angel Network cares for kids with cronic or life- threatening illnesses.
Willie Nelson is the farmers' friend -- he founded Farm Aid in 1985. Alan Jackson has kicked in with Farm Aid as well as many children's charities.
Garth Brooks gave $1 million to Olympic Aid, which delivers supplies to children living in war-torn countries. And he's among the many stars who've helped Feed The Children.
Tim McGraw's annual Swampstock fund-raiser benefits local programs in his hometown of Start, La.
Among Reba McEntire's many charities is Habitat For Humanity.
Billy Ray Cyrus is one of several stars who lend a hand to the Make-A-Wish Foundation, which grants wishes for children with terminal illnesses.
Clay Walker supports the March Of Dimes and the Buckner's Children's Village, a Texas organization that helps abused kids.
Tracy Lawrence hosts a celebrity softball game and concert in his hometown of Foreman, Ark., to assist local parks and raise money for academic scholarships.
Hal Ketchum has raised thousands of dollars to fight multiple sclerosis.
Kathy Mattea has hosted fundraisers to benefit the homeless.
Mark Collie, himself a diabetic, hosts the annual Mark Collie Celebrity Race For Diabetes Cure. Kix Brooks, Ronnie Dunn and Aaron Tippin have also lined up behind diabetes research.
A cause close to Mary Chapin Carpenter's heart is CARE, which develops self- help programs and emergency relief for the poor.
George Strait has turned personal tragedy into public philanthropy. After his daughter died in a 1986 car accident, George founded the Jennifer Strait Memorial Foundation, which benefits several children's charities.

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Article by By Brian Mansfield at CDNow

Shania Twain had hoped to release a Christmas album this fall. But when Come on Over refused to drop off the charts (it's already sold more than 14 million copies), Twain had to pull the plug. Instead, she's released Come on Over (The International Version), which contains remixed versions of 15 of the 16 songs from the original album. In addition, a Franklin, Tenn., label called Jomato Records has licensed and released some demos Twain made in Canada at the turn of the decade. Beginnings (1989-1990), using the before-she-was-a-star billing of Eilleen Shania Twain, shows a singer who was toying with arena-sized rock sounds before she ever met and married Def Leppard producer Robert John "Mutt" Lange. Twain recently talked with CDNOW from her new home in Switzerland.

Why did you choose to release a remixed version of Come on Over?
Shania Twain: [Our American fans] wanted to have what the international fans have. So that's fine. We're putting it together now so people can hear those and have those.

Will it be exactly like the international release of the album?
It's going to be their own thing. It came about that they wanted to have what the international fans had, but it's even more than that and better than that. I thought, "Well, I think they should get their own thing. They could always get that other one; let's give them something that's for them." You're talking now, fans that probably already have the album. I want those people to have something that's new, that's their own.

So this is the third full version of the album?
It's so crazy! The life of this album just keeps going on and on. People want more versions; they want to hear this, they want to hear that. I can tell you, after a couple of years, it is fun for me to take my live versions and mix in a little bit of what we've done with some new mixes. It gives me a new life, too, with it. Actually, I appreciate it. I'm not complaining. It's great.

Which songs are the most different?
We've released "Don't Be Stupid" in Europe, but it's a new version that no one's heard yet. And I love the version. On "Honey I'm Home," the groove is completely different. It's very funky and totally cool.

You mentioned that you're looking forward to writing new stuff. How far have you gotten toward work on any new album?
We're working on it in bits and pieces. I haven't dived into it yet.

You had hoped to release a Christmas album this year. What happened?
We're doing it for next year. It was supposed to be this year, but this album was still going so strong that I couldn't just drop it and start working on a Christmas album. In the end, we realized that singles keep coming off this album, and I can't neglect that. I can't do both at the same time. I can't write a new album and record a new album and still be out with this album. It just wasn't going to all work at the same time.

Some of your recordings from about 10 years ago have recently surfaced as Beginnings (1989-1990). What's your take on that?
This is not the way I want people to hear my music. Obviously, I'm not happy that people can take advantage of me this way. It's discouraging to me. Sometimes I get discouraged and so disappointed in human nature. So that's my personal feeling. I feel like I've been betrayed by a fellow music person. I would never do that to somebody else.

What do you think of the music, though?
I love the music. I think it's cool. It's the type of music that I liked to write, that I enjoyed, and that I did do a lot at the time. There are a lot of people who think that sort of edginess in my music now came only from Mutt and only because of his entry into my world. I try to tell people I've always done all kinds of music; this is not new to me, and this is sort of obvious proof of that.

Speaking of Mutt, you didn't get to see a lot of each other this year, leading to a lot of speculation that your marriage was in trouble. Are you able to spend more time together these days, now that you've finished touring for the year?
Yeah, we are. I'm looking forward to spending Christmas together and bringing in the new year together. We have lots of great things to do over the next year and a half. I'm looking forward to it.

What have you done to get reacquainted?
We're still finishing up our home here. We've been basically doing mostly that, just kind of building our nest.

I guess showbiz marriages have such a high failure rate that reporting marital problems is a fairly low risk if you do it long enough.
Right, right. Then they won't look bad; they'll look like they actually knew what they were talking about.





GRAVY TWAIN
Article by Cameron Adams

Look around. If you're in a public place, perhaps a train or restaurant, count 18 people. One of them owns Shania Twain's Come On Over album.Last week the album hit the rare one million sales mark in Australia and became one of the highest-selling album of the decade in this country. Twain joins the likes of ABBA, John Farnham, Micheal Jackson, Neil Diamond and the Grease and Saturday Night Fever soundtracks, but hers is the only album this decade to reach the magic figure.

Come On Over has spent a record breaking 67 weeks in the Australian top 10 (108 weeks in the chart altogether), has returned to No. 1 five times and has lasted 19 weeks in the top spot. Her record company, Mercury, hopes she returns to No. 1 this month to notch up 20 weeks in the top spot this decade, beating the 19-week record of Savage Garden's debut.

The Twain story is a marketing dream. In a well-publicised nutshell, she raised her brothers after her parents died in a car accident, changing her name from Eilleen to Shania to embark on a singing career.

After her self-titled debut stalled, she hooked up with Def Leppard/Bryan Adams producer Robert John "Mutt" Lange- now her mysterious husband, who refuses to be photgraphed. They courted by writing songs that ended up on her 1995 album the Woman In Me. Criticised by country music purists for it's rock and pop influence, it became a 10 million-plus seller.

"I don't listen to country music," Twain told Hit at the time."I have a lot of pop fans that wouldn't buy a country album. We've been very lucky to cross over like that. "If you're stuck in one genre then you're limited to that fan base," the business-savvy Twain continued.

"We've been able to tap into a few fan bases."The follow-up, Come On Over has been released in two versions, the North American and the international. The former was geared towards the country market, the latter designed to crack the UK and Europe, "de-twangs" the songs, making them more into pop/dance/soft rock and taking out nearly all the pedal-steel guitar and fiddle. "We've taken out some of those sounds that Europe would find a little less palatable and made it more universal," is how Twain justified the radical differences.

The North American version was released in Australia in November 1997 and sold 37,000 copies, mainly in regional areas. The international version, the one now available, was then launched. "We thought there were signs of future greatness," Tom Enright, label manager at Mercury Records, says. "We were delivered with a straight-ahead country album. When we got the de-countrified album, without all the hay bales, it was a really classy, sophisticated international pop album. "That's when we launched her as an international artist."

Daytime commercial radio (something she'd never enjoyed) followed, coupled with provocative videos- Twain draped over a half-naked man in You're Still The One, Twain sewn into a ball gown for From This Moment On, lusting in the dust for That Don't Impress Me Much and making the world her gynaecologist in the mini-mini-skirted, cleavage-a-thon Man! I Feel Like A Woman!

"If you'd asked me two years ago whether I'd thought it'd reach a million sales, I'd have said 'no'." Enright says. "If you'd asked me whether I thought she'd cross over to the mainstream I'd have said definitely. That was out aim all along, to take her from the country pigeon-hole and put her in the territory of Mariah, Celine and Whitney. We've done that and surpassed them."

In the U.S, Come On Over is the second-highest selling album by female artist ever, and the highest-selling album by a female country artist (the runner-up is Twain's The Woman In Me). In Australia it has benefited from several other factors. Since ARIA changed the way they compiled the charts, relying on electronic data from chart stores, Twain has been boosted by large sales in suburban stores and retail chains like Target and K Mart who sell more Twain than Chemical Brothers.

Likewise, when import restrictions were lifted earlier this year, cheap import copies of Come On Over flooded in. Twain's local record company retaliated by adding extra tracks, new radio-friendly remixes and even dance versions to the Australian-made version of Come On Over. So who's buying?

One retailer says Twain's found that rare demographic: men. "It's everyone from the raincoat brigade to businessmen to normal blokes. And lots of women too." And now a sixth single, Don't Be Stupid (You Know I Love You) willbe released early next year to coincide with Valentine's Day. Enright says there may be up to 2000,000 more sales left in Come O Over: and more singles."

After Don't Be Stupid there are videos for at least another two signs from the album. Who's to say there won't be more singles. We'll keep issuing singles the longer the radio keeps playing them and the longer the public keep buying them."

  Come on Over again and againArticle by By Brian Mansfield at CDNow

Shania Twain had hoped to release a Christmas album this fall. But when Come on Over refused to drop off the charts (it's already sold more than 14 million copies), Twain had to pull the plug. Instead, she's released Come on Over (The International Version), which contains remixed versions of 15 of the 16 songs from the original album. In addition, a Franklin, Tenn., label called Jomato Records has licensed and released some demos Twain made in Canada at the turn of the decade. Beginnings (1989-1990), using the before-she-was-a-star billing of Eilleen Shania Twain, shows a singer who was toying with arena-sized rock sounds before she ever met and married Def Leppard producer Robert John "Mutt" Lange. Twain recently talked with CDNOW from her new home in Switzerland.

Why did you choose to release a remixed version of Come on Over?
Shania Twain: [Our American fans] wanted to have what the international fans have. So that's fine. We're putting it together now so people can hear those and have those.

Will it be exactly like the international release of the album?
It's going to be their own thing. It came about that they wanted to have what the international fans had, but it's even more than that and better than that. I thought, "Well, I think they should get their own thing. They could always get that other one; let's give them something that's for them." You're talking now, fans that probably already have the album. I want those people to have something that's new, that's their own.

So this is the third full version of the album?
It's so crazy! The life of this album just keeps going on and on. People want more versions; they want to hear this, they want to hear that. I can tell you, after a couple of years, it is fun for me to take my live versions and mix in a little bit of what we've done with some new mixes. It gives me a new life, too, with it. Actually, I appreciate it. I'm not complaining. It's great.

Which songs are the most different?
We've released "Don't Be Stupid" in Europe, but it's a new version that no one's heard yet. And I love the version. On "Honey I'm Home," the groove is completely different. It's very funky and totally cool.

You mentioned that you're looking forward to writing new stuff. How far have you gotten toward work on any new album?
We're working on it in bits and pieces. I haven't dived into it yet.

You had hoped to release a Christmas album this year. What happened?
We're doing it for next year. It was supposed to be this year, but this album was still going so strong that I couldn't just drop it and start working on a Christmas album. In the end, we realized that singles keep coming off this album, and I can't neglect that. I can't do both at the same time. I can't write a new album and record a new album and still be out with this album. It just wasn't going to all work at the same time.

Some of your recordings from about 10 years ago have recently surfaced as Beginnings (1989-1990). What's your take on that?
This is not the way I want people to hear my music. Obviously, I'm not happy that people can take advantage of me this way. It's discouraging to me. Sometimes I get discouraged and so disappointed in human nature. So that's my personal feeling. I feel like I've been betrayed by a fellow music person. I would never do that to somebody else.

What do you think of the music, though?
I love the music. I think it's cool. It's the type of music that I liked to write, that I enjoyed, and that I did do a lot at the time. There are a lot of people who think that sort of edginess in my music now came only from Mutt and only because of his entry into my world. I try to tell people I've always done all kinds of music; this is not new to me, and this is sort of obvious proof of that.

Speaking of Mutt, you didn't get to see a lot of each other this year, leading to a lot of speculation that your marriage was in trouble. Are you able to spend more time together these days, now that you've finished touring for the year?
Yeah, we are. I'm looking forward to spending Christmas together and bringing in the new year together. We have lots of great things to do over the next year and a half. I'm looking forward to it.

What have you done to get reacquainted?
We're still finishing up our home here. We've been basically doing mostly that, just kind of building our nest.

I guess showbiz marriages have such a high failure rate that reporting marital problems is a fairly low risk if you do it long enough.
Right, right. Then they won't look bad; they'll look like they actually knew what they were talking about.